![]() ![]() Resolves an issue with distorted audio conversion from AVCHDįor those new to EditReady you can buy it for $49.99 and check out their website for more details here.Resolves an issue with audio conversion from HDV footage.Resolves an issue playing converted files with discrete audio tracks in Quicktime Player.Fixes a potential crash in MacOS 10.11.6 when opening preview windows.It is advisable that you download EditReady 2.5.2 to avoid some of the bugs in 2.5.ĮditReady 2.5.2 remedial release resolves some issues the team at EditReady identified in the most current 2.5 release. To learn more about EditReady 2 and other software from Divergent Media, check their site out. Since the release of EditReady 2.5, just days ago, there has been a remedial update, the details of which you can see below. If you just don’t want to wait for Adobe to add GH5 10bit support, EditReady 2 is a good option and for me will be my go to for transcoding any of those pesky camera formats. Miscellaneous speed and stability improvements.Fixes hang that occurred converting some filmic pro clips.Fixes bug that wouldn’t recall overlay settings in command line transcodes.Fixes bug that could cause audio dropout in 24p to 25p frame retiming.Fixes visual styling in macOS 10.14 Mojave dark mode.Adds clip duration to metadata displayed in info views Teamed with a 1TB AtomX SSDmini you can now achieve up to 150 minutes of 4K recording on a single drive And when youre done, your edit-ready ProRes and DNxHR.Adds Blackmagic Raw support (MacOS 10.12 and later).Adds clip trimming – set in and out in preview to transcode a region of the clip. ![]() Not to mention newer and much more exciting hybrid shooters like the Panasonic GH5 and GH5s. Step 5: Click ‘Open Folder’ to get generated ProRes 422 QuickTime files for transferring and editing in Final Cut Pro X with optimum performance.Whether you’re working with MXF from a camera like the Canon C300 II or you are a Sony F5 or FS7 (XAVC) shooter, EditReady has you covered. Even older AVCHD cameras like the Panasonic HDC-TM900 or Sony NX5U, or HDV cameras like a Sony HVR-Z7U are also covered. ![]() Step 4: Click ‘Convert’ to start GH5 footage to ProRes MOV conversion. If necessary, you can click ‘Settings’ button and go to ‘Profiles Settings’ panel to modify video and audio settings like video encoder, resolution, video bit rate, frame rate, aspect ratio, audio encoder, sample rate, audio bit rate, and audio channels. Step 3: Adjust video and audio settings (for advanced users) Important: If you’ve loaded a number of video clips to do batch conversion, please do remember ticking off ‘Apply to All’ option before you start. When loading them into FCP X, you needn’t wait for a long time for rendering. Apple ProRes is the best suited editing codec for FCP X and its former version FCP 6 and 7. Step 2: Select ‘Apple ProRes 422 (*.mov)’ as output format for opening with FCP Xįrom the ‘Profile’ bar, move to ‘Final Cut Pro’ catalogue, and select ‘Apple ProRes 422 (*.mov)’ as target format. The command once you have the executable and you have the files in the right directory is something like this: ffmpeg -i GH5file.mp4 -c:v prores -c:a copy GH5file.mov. ![]() When its main interface comes up, click ‘Add File’ to load source video to it. However you can use a command line encoder like ffmpeg and convert all those files for free. Step 1: Run HD Converter for Mac as a professional GH5 to FCP X Converter. How to convert GH5 files to ProRes for FCP X editing? If for unknown reason you are unable to edit GH5 footage in FCP X fluidly, we would recommend transcoding them to FCP X preferred ProRes codec first, which FCP X will recognize and handle well. But, to answer your question, ffmpeg can chew through almost anything you throw at it, and make ProRes. Its very old, its not widely supported anymore, and it doesnt really support any modern codecs. Does anyone know a way to fix this? How can I use GH5 video files in FCP X smoothly? I would really appreciate any help. So AVI is just a container, and ProRes is just a codec. The 60p footage plays back smooth but the 30p and 24p footage stutters badly. “Hi there, I imported video clips taken with GH5 camera into Final Cut Pro X and all of them imported correctly. It explains a workaround to transcode GH5 video to ProRes for use in FCP X with optimum performance. How can I expect a smooth workflow between GH5 and FCP X? If you are having problems working with Panasonic GH5 footage in FCP X, you may wish to read this post. This entry was posted in Video file conversion on by Richard ![]()
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